nola_willowIvy's gig at the Phoenix Effect felt more significant than ever this time. The last time she'd played there, after all, she'd met Mina: her phantom, her opera ghost, the woman who bafflingly, wonderfully, felt like home.
Was it any surprise that Ivy's set was full of love songs? Most of them were covers, but not all of them. Each original was new, and some of them felt maybe a little too raw, but they were bursting with feeling, like prayers or spells. Mina, Ivy knew, was shy, so she didn't name or point out the object of her love songs. Instead, she would say, "I fell head over heels for someone lately; I wrote this for her." And that was more than enough.
After the set, Ivy felt exposed -- more than she usually did when she performed -- but it was good, and it was world away from her tech life, from her weird corporate life, and it reminded her of things long forgotten. Lingering over last sips of tea with Mina, Ivy smiled and reached out to play with the fingers on one of Mina's hands. Touching just to touch.
"You have the cutest hands," Ivy said, studying these wonderful fingers.